On the Recuperative Mismanagement of a Cosmopolitan Fish
To close the opening week of The Shape of a Practice, artists created a convivial meal-at-a-distance with so-called invasive species. From a kitchen in Carbondale, Illinois, artist Sarah Lewison, alongside storyteller and soul food authority Swan Parsons, prepare a meal of Asian carp, opening up questions related to an eco-logic of planetary care and our relationships to habitat. From Berlin and Chicago, artist and biologist Andrew Yang, biologist Florian Rutland and artist Alexandra Toland prep (...)
Good River, Bad River, Little River, Big River
“Mississippi” is a francophone adulteration of Anishinaabe (Ojibwe, Algonquin) name given to the river, indicating something along the lines of how “great” or “big” a river it is. “People are enthralled by it,” Bob Chance, manager of Itasca State Park told the Star Tribune in 2018: “They are amazed that it is that small.” Way down south, the river is an accumulator, full of the life-effluent of an industrialized nation, its cares, concerns, and contaminants. But here, at Lake Itasca, we hear fro (...)
Head Waters at the Headwaters
The United States of America is just under ten million square kilometers in surface area. Its most conterminous landmass is a topology of creases and folds, mountains and ridges, chasms and embankments. These create, among other divides, hydrological continental separations, sloped divisions for watersheds that flow into either the Great Lakes and Saint Lawrence River or the Missouri-Mississippi complex. These great, tectonic gutters cascade erosive, mineralized waters into the Atlantic Ocean or (...)
Listening to the Mississippi
Listening to the Mississippi is an iterative project that has unfolded since 2013 and currently manifests as a sound composition and traveling listening station. Using underwater recordings gathered in 2015 by artists Monica Haller and Sebastian Müllauer that span the river from the headwaters to the Gulf, listeners are invited to orient themselves to the river through their sense of sound, rather than by sight alone. (...)